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"...just the right amount of 21st-century flavoured spice..."

- BACHTRACK

“Catchy and sonorous” (Musical America), featuring “vivid contrasts” (Financial Times) and “clarity of expression” (AM Bucharest), his compositions are published by Universal Edition and championed by world-class ensembles and artists: from the “wonderful swirl of sounds” (The Classical Reviewer) of Halo (London Symphony Orchestra), to the “soul-filled creations that added just the right amount of 21st-century flavoured spice” (Bachtrack) of Carols Without Words (O/Modernt at Wigmore Hall), Maistorovici “strikes a different note” (The Daily Telegraph). In 2023 Maistorovici created and conducted “Metamorfose after M.C.Escher“ at the Tuinzaal of the Kunstmuseum Den Haag with the New European Ensemble and motion-reactive video projections, as part of the 125th anniversary exhibition of M.C. Escher, reuniting the music of Bach, Webern, Pärt and Maistorovici in “a musical/visual spectacle par excellence”, “a brilliant concept, brilliantly executed”, “a really enjoyable concert” (ArtsTalk Magazine). In 2019, Maistorovici performed the Dutch premiere of Concert Transilvan and directed the Enescu Octet for chamber orchestra with the Young European Strings Camerata at the Diligentia Theatre Den Haag, on the occasion of the Romanian Presidency to the EU Council. In 2024 he composed B.A.C.H., Passacaglia for solo violin, commissioned by the Enescu Festival as the mandatory work at the Enescu International Violin Competition. His musical arrangements cover a wide range of styles, from orchestrations of Enescu or Kodály, to genre-bending reworkings of Bach and cross-over reimaginings of Queen. His scores have been championed by London Symphony Orchestra, European Union Chamber Orchestra, Orchestre des Jeunes de la Méditerranée, Campos do Jordao Festival Orchestra, New European Ensemble of The Hague, Young European Strings Camerata Bruxelles, Sinfonia Cymru Cardiff, Lausanne Chamber Orchestra, Nouvel Opéra Fribourg, Estonian Sinfonietta, Bucharest Radio Orchestra at major venues and festivals, such as South Bank Centre, Musiekgebouw Amsterdam, Salle Flagey Bruxelles, Studio Ernest Ansermet Geneva, Festival d'Aix-en-Provence, Romanian Athenaeum Bucharest, Great Hall of the St. Petersburg Conservatoire, Merkin Hall New York, Verbier Festival, Spoleto Festival, Enescu Festival, by conductors and soloists such as Neil Thomson, Clement Power, Jonathan Berman, Jonathan Bloxham, Michael Wendeberg, Thierry Fischer, Gottfried Rabl, Baldur Brönnimann, Gabriel Bebeșelea, Radu Paponiu, and many others. Born in Romania (1985), he is a former pupil of The Yehudi Menuhin School. At the Royal College of Music in London he studied composition with Mark-Anthony Turnage, Jonathan Cole and Richard Causton, violin with Felix Andrievsky, and conducting with Patrick Bailey. He advanced his composition studies with Oliver Knussen, Colin Matthews and Magnus Lindberg in Aldeburgh, Giaccomo Manzoni in Florence and Dan Dediu in Bucharest as a PHD in Music, while continuing his performance studies with Pierre Amoyal on a Soloist Master degree at the Haute École de Musique Lausanne, chamber music with Bruno Canino at Fiesole Music School Florence and in influential performance masterclasses with Boris Kuschnir, Anna Chumachenko, Gordan Nikolich, Ivry Gitlis, Ida Haendel, Zakhar Bronn, Ferenc Rados, Gábor Takács-Nagy, Lera Auerbach at courses such as Verbier Academy, Keshet Eilon and others. In 2025, Maistorovici was awarded the Romanian Academy Award, and in 2026 he was made a Fellow of the Royal Society of Arts. He is also a winner of numerous awards, among them the George Enescu Composition Competition, Clive Christian Composition Award, Golden Medal of the Berliner International Competition, The Tillett Trust Performer Platform, Young Concert Artist Trust and others. Maistorovici has given performance and composition masterclasses at the Royal College of Music London, Lilla Akademien Stokholm, Dartington International Summer School, Geneva Conservatoire and Bucharest National University of Music. In 2015 he founded vibrate!festival with pianist Diana Ionescu, an international event that brings together world-class innovative classical artists, reaching out to new audiences through eclectic programming and cross-discipline projects in alternative spaces.

Download

press kit

2026 Halo modUE - HALO
Metamorfose after M.C.Escher
2025 B.A.C.H. for solo violin formatata - Full Score
2026 CT world perc - Full Score

press

ADEVĂRUL

Enescu Festival

"There were about ten songs, dances and musical themes extracted from the codex. I quickly gave up on keeping count, because the music was simply captivating. A mixture of folklore with pre-classical music, there are vague influences of Monteverdi, we are on the edge of Western civilization, in Habsburg Transylvania (a stroke of luck, musically speaking). But also a simplicity, somewhat inevitable, generated by the era and the sources of inspiration. Everything is wrapped in an ingenious accompaniment: the strings of the chamber orchestra produce an unusually vibrant sound of an imaginary and huge cymbalom. The comments that the soloist and the orchestra make in turn are modern, but the dosage of contemporary sounds is not invasive, but contained within some limits so as not to stun the listener. I really liked this balance, which we are not at all used to, in a society always inclined to exaggerate language, and if I had to choose one among the songs, this would be the second (I think it was called "Another Wallachian Dance", but I can't be very sure, because in fact its theme evolved organically), of a simplicity that bordered on childlike, but which then developed, without haste and without pride, into a discourse that was rather subtle than crowded with ideas, voiced emphatically. Eugen Ţichindeleanu lived in this universe, adding to it a virtuosity based on the various techniques used in the repetitions of the main theme. This combination of Transylvanian folklore (archaic, rough at times, but also tragic) with the restrained joy that Maistorovici extracted from Western pre-classical music was, I repeat, very well ballanced. I would very much like to hear it again in the season of a Romanian chamber orchestra. It is, keeping the proportions, a new Romanian Poem."

MUSICWEB INTERNATIONAL

LSO

"The final piece is by Romanian-born Vlad Maistorovici and is the longest at almost ten and a half minutes. The opening is a tribute, as Vlad says, to “the great tradition of orchestral openings” which to me had something of Nielsen about it. In this case the composer was trying to describe a halo of light. The ethereal quality of the music certainly alludes to it."

"...a wonderful swirl of sounds..."

- THE CLASSICAL REVIEWER

video

Dmitry Sitkovetsky conducts 'Concert Transilvan' by Vlad Maistorovici
14:10
Little Harmonic Tesseract/Canons from Bach Musical Offering/Metamorfose after M.C.Escher - excerpts
01:36
VLAD MAISTOROVICI Winter Septet ”Carols without words” on Romanian popular carols (2021 version)
02:22
Daniel Rowland performs 'Concert Transilvan' conducted by Vlad Maistorovici
02:10
Maistorovici: B.A.C.H., passacaglia for solo violin
07:17
Maistorovici BACH, Passacaglia for solo violin- Mayumi Kanagawa
08:02
[금호영재오프닝콘서트] B.A.C.H passacaglia for solo violin - JENNY Hyeonjeong Lee (13yrs) 이현정 바이올린
07:12
Vlad Maistorovici - transScent for solo piano, op. 6
07:24

compositions

arrangements

contact

Commissions and unpublished scores:

 office@maistorovici.com

 

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