violinist composer conductor
Concert Transilvan
Rhapsody on XVII Century Romanian tunes from Codex Caioni
Ensemble: Solo Violin and 4 Violins, 3 Violas, 2 Cellos, Double Bass or String Orchestra and optional percussion
Duration: 10 minutes
Premiere: Sept 2015, Enescu Festival, Romanian Athenaeum, New European Strings, conductor: Dmitry Sitkovetsky
Score and parts available in versions for:
Violin and 10 strings:
https://www.universaledition.com/en/Works/Concert-Transilvan/P0330824
Violin, Strings and World Percussion:
https://www.universaledition.com/en/Works/Concert-Transilvan/P0347165
Violin and String Orchestra:
https://www.universaledition.com/en/Works/Concert-Transilvan/P0304727
at:
”...a spectacular rhapsody on Romanian themes...” - Diplomat Magazine
"...a unique multi-ethnic vision – through declared Romanian, Hungarian, Saxon, English, Jewish, Italian, Gypsy characters." - National Heritage Institute
"There were about ten songs, dances and musical themes extracted from the codex. I quickly gave up on keeping count, because the music was simply captivating. A mixture of folklore with pre-classical music, there are vague influences of Monteverdi, we are on the edge of Western civilization, in Habsburg Transylvania (a stroke of luck, musically speaking). But also a simplicity, somewhat inevitable, generated by the era and the sources of inspiration. Everything is wrapped in an ingenious accompaniment: the strings of the chamber orchestra produce an unusually vibrant sound of an imaginary and huge cymbalom. The comments that the soloist and the orchestra make in turn are modern, but the dosage of contemporary sounds is not invasive, but contained within some limits so as not to stun the listener. I really liked this balance, which we are not at all used to, in a society always inclined to exaggerate language, and if I had to choose one among the songs, this would be the second (I think it was called "Another Wallachian Dance", but I can't be very sure, because in fact its theme evolved organically), of a simplicity that bordered on childlike, but which then developed, without haste and without pride, into a discourse that was rather subtle than crowded with ideas, voiced emphatically. Eugen Tichindeleanu lived in this universe, adding to it a virtuosity based on the various techniques used in the repetitions of the main theme. This combination of Transylvanian folklore (archaic, rough at times, but also tragic) with the restrained joy that Maistorovici extracted from Western pre-classical music was, I repeat, very well ballanced. (...) It is, keeping the proportions, a new Poème Roumain." - Adevarul
Performances of note:
Daniel Rowland performs for Romanian Culture Day concert conducted by Vlad Maistorovici
January 2022, The Palace of Culture Târgu Mureș
Târgu Mureș State Philharmonic
Vlad Maistorovici, conductor
Daniel Rowland, concertino
Vlad Maistorovici performs with Transilvania Philharmonic
December 2019, Auditorium Maximum Cluj
Transilvania Philharmonic
Radu Paponiu, conductor
Vlad Maistorovici, concertino
Dutch premiere under the auspices of the Romanian Presidency of the Council of the EU
19 February 2019, Diligentia Theater The Hague
Young European String Camerata
Vlad Maistorovici, violin/direction
Valeriy Sokolov directs Festival Orchestra
June 2018, Kruhnen Musik Halle
vibrate!festival International Orchestra
Valeriy Sokolov, direction/violin
Vlad Maistorovici, concertino
Estonian premiere at the XXIII KURESSAARE KAMMERMUUSIKA PÄEVAD
5 August 2017, Kuressaare kultuurikeskus
Eesti Sinfonietta
Maano Männi, direction
Johannes Põlda, concertino
Festival Orchestra at the Romanian National Library
December 2016, Romanian National Library Bucharest
vibrate!festival International Orchestra
Vlad Maistorovici, direction/concertino
Dmitry Sitkovetsky conducts world premiere at Enescu Festival
September 2015, The Romanian Athenaeum
New European Strings
Dmitry Sitkovetsky, conductor
Eugen Tzikindelean, concertino







